The narthex, also known as Paradise.
The monastery church is accessed through the narthex to the west, the so-called Paradise. This provides an example of its Romanesque architecture and original shape. The narthex once housed a chapel on its second floor, which opened upward toward the church interior. At the main portal, two masterfully worked bronze door pulls in the shape of stylized lion heads and the remnants of majestic iron hinges decorate the doors: masterpieces of 11th- and 12th-century Romanesque craftsmanship.
Stylized lion head as door pull.
The tympanum above the main portal is one of the most important examples of Romanesque architectural sculpture in southwest Germany. At the center, Christ is enthroned as the world's judge, flanked by two angels. To the far left, in a monk's habit, is Adalbert von Zollern, one of the monastery's three benefactors who later joined the monastery. The impressive architectural sculptures continue in the church's interior along the column capitals and bases, as for example the "Pillars of Judgment Day," created circa 1130.
Impressive architectural sculptures adorn the church, both inside and out.
A special feature: the two-story choir.
Typical of monasteries following the Hirsau reform, many masses were conducted in the church as per the Rule of St. Benedict. The two-story choir in the high and flat-ceilinged columned basilica is a special feature. The hieromonks, or priestmonks, sat at the crossing, the "chorus major"; the old and sick monks sat in the "chorus minor," in front of the center aisle. The now lost choir screen attached to this, separating the lay brothers, or monks who had not received their holy orders, seated in the transept.
13th-century frescoes.
The church was once decorated with majestic wall hangings, colorful frescoes, altars, tunicles, valuable religious paraphernalia and ornate furniture. Little of it remains today. What survives includes the remainders of frescoes and stained-glass, parts of the choir stalls, the Altar of St. Mary and the very rare choir pews from the mid-14th century. Various tomb slabs, commemorating important abbots, protectors and patrons of the monastery, are stone reminders of that period.
